I want to prove that Andha-Yug proved for the first time in the history of Hindi literature that poetry can be successfully and meaningfully presented in a theatrical form, enhancing the theatricality of the play. Raina directed it at the Purana Quila, Delhi, using a spectacular theatrical piece using vast performance area with ramparts and tiered steps. I will also explore the vastness of its subject matter linked to the partition of the country encourages intense theatricality of expressive performance, music, stage direction, stage design to such an extent that director M.K. The paper will continue to explore on the fact that the play encompasses a huge vista of events: the last days of the Mahabharata leaves a permanent mark on the Indian psyche, especially with the death of Lord Krishna. Being a radio play, following the traditions of the greats like Sambhu Mitra, the play is strewn with music. I wish to prove that within the 5 Act structure of the play, Dharamveer Bharati has explored the congruence and intricacies of theatricality. It is the ambivalence of theatrical jurisprudence that makes " Andha Yug " an appropriate example to study the theories of theatricality. " Andha Yug " (1953) by Dharamvir Bharati is one of the most significant plays of modern India Set in the last day of the Great Mahabharata war, the five-act tragedy was written in the years following the 1947 partition of India atrocities, as allegory to its destruction not just of human lives, but also ethical values – the play is a profound meditation on the politics of violence and aggressive selfhood. Theatricality in " Andha Yug " Theatricality, though, it seems clear that the concept is closely related to performance or performativity it inspires far more ambivalence and is employed in less consistent ways.